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Nietzsche's Dancers: Isadora Duncan, Martha Graham, and the Revaluation of Christian Values, by K. LaMothe
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In the first half of this original book, Kimerer L. LaMothe offers the only exhaustive analysis of the dance images that appear in every one of Friedrich Nietzsche's major works, revealing the pivotal role this imagery plays in Nietzsche's project of revaluing Christian values. In the second half of the book, LaMothe offers the only in depth account of how the two most celebrated innovators in American modern dance, Isadora Duncan and Martha Graham, created dances as well as dance philosophies and practices that critically engage and advance Nietzsche's philosophical project. Taken together, the two halves of this book make a seamless case for why scholars, philosophers, and dancers should consider dance as a medium of religious experience and expression.
- Sales Rank: #257500 in Books
- Published on: 2011-09-15
- Released on: 2011-09-15
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .64" w x 5.50" l, .80 pounds
- Binding: Paperback
- 269 pages
Review
"LaMothe's succulent attention to the phenomenology of dance technique draws persuasive power from beyond the writing itself. Nietzsche's Dancers is not only a study in the recreation of religious values; it is an expression of the bodily conditions it explores. And, in this regard, the joyous engagement expressed on every page refers readers to lived practices of kinetic fluency as the basis for affirmation of life." - Journal of the American Academy of Religion"Strangely, Christianity, the religion of the incarnation - the 'Word made flesh' - has failed to develop the implications of the intimate relationship between incarnation and dance. In this fascinating and important book, LaMothe addresses Christianity's hostility toward dance, an opposition between dance and religion reinforced by scholarship that consistently ignores one or the other. LaMothe shows that the dancers Isadora Duncan and Martha Graham responded to Nietzsche's advocacy for a 'dancing religion' by creating dances designed to 'catalyze a renaissance of religion, especially Christianity.' LaMothe argues passionately for awareness of the 'physiological conditions of meaning,' and the realization of an incarnation grounded in breathing and movement." - Margaret R. Miles, Emerita Professor of Historical Theology, The Graduate Theological Union, Berkeley, and author of The Word Made Flesh: A History of Christian Thought
About the Author
KIMERER LAMOTHE is a philosopher, dancer, and scholar of religion who taught modern Western philosophy and theology for six years at Brown and then Harvard Universities.
Most helpful customer reviews
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By gary
incredible read. I recommend to my students
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