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The White Album, by Joan Didion
PDF Ebook The White Album, by Joan Didion
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“We tell ourselves stories in order to live.” So begins Joan Didion’s legendary essay collection The White Album, a landmark literary mosaic by one of American writing’s true greats illuminating in unerring prose subjects ranging from the Manson cult to the Black Panthers, from painter Georgia O’Keefe to the author’s own struggles with depression and anxiety in the late 1960s.
In “Good Citizens,” we meet the First Lady of California Nancy Reagan. Early in the title essay, we meet lead singer Jim Morrison of the pioneering L.A. rock band The Doors. We meet Oakland revolutionary Huey Newton, leaders of the woman’s movement, a veteran Malibu lifeguard, a celebrated orchid grower. These and many others come under Didion’s magnifying lens, her unsurpassed eye for the evocative detail. Locations—Hollywood and Berkeley; Hawaii and the Hoover Dam; the author’s hometown of Sacramento; Bogatá—are captured with the same uncanny vividness.
A flawlessly executed mix of people and place portraits with fresh-angle consideration of American cultural trends and movements, this deeply influential collection is also a breakthrough work of autobiography. Bravely, with remarkable precision, Didion charts her own interior journey during a tumultuous time: breakdown, recovery, and insights in a life whose roles included wife and mother of a young daughter along with her career as a journalist and novelist.
This first-ever digital edition introduces a new generation of readers to a contemporary master, a writer of whom reviewer John Leonard in The New York Times declared, “Nobody writes better English prose than Joan Didion.”
- Sales Rank: #69614 in eBooks
- Published on: 2015-08-24
- Released on: 2015-08-24
- Format: Kindle eBook
Review
“[Didion] can strike at the heart, or the absurdity, of a matter in our contemporary wasteland with quick, graceful strokes.” ―San Francisco Chronicle
“All of the essays--even the slightest--manifest not only [Didion's] intelligence, but an instinct for details that continue to emit pulsations in the reader's memory and a style that is spare, subtly musical in its phrasing and exact. Add to these her highly vulnerable sense of herself, and the result is a voice like no other in contemporary journalism.” ―Robert Towers, The New York Times Book Review
“Didion manages to make the sorry stuff of troubled times (bike movies, for instance, and Bishop James Pike) as interesting and suggestive as the monuments that win her dazzled admiration (Georgia O'Keeffe, the Hoover Dam, the mountains around Bogota). . . A timely and elegant collection.” ―The New Yorker
About the Author
Joan Didion is highly regarded as a writer of both nonfiction and fiction and received the National Book Foundation's Medal for Distinguished Contribution to American Letters in 2007. She lives in New York City.
Most helpful customer reviews
36 of 39 people found the following review helpful.
Many mornings after the 60s
By R. Walker
The White Album was published in 1979, and most of the material here is from the 1970s. Even so, the book is at least as much about the 1960s as is Slouching Towards Bethlehem. Like that book, this is a collection of essays from various publications, plus some previously unpublished material. It's a mixed bag. The title piece is quite strong, as is "On The Morning After The Sixties," proving, perhaps, that the 1960s really were Didion's one true subject. There's other good stuff here, too, and the book is actually sort of underrated, since so many observers rate it a poor second to Slouching Towards Bethlehem. But the Didion style is actually quite strong in this volume, sharply observed, carefully written, personal without being confessional, and always flirting with detachment but not quite achieving it. Obviously some people just can't stand Didion's essays, and this book would hardly change their mind; but if you're open to her style, this is worth reading.
16 of 17 people found the following review helpful.
She Always Has an Eye, and an Ear
By Stephanie De Pue
Joan Didion always seems to look out at you from her book jackets in a straightforward, level-headed way, yet her readers will know she has a somewhat cockeyed view of life. Very Californian, as she quotes Bernard De Voto,"'The West begins, where the average annual rainfall drops below twenty inches." But hardly sunny, she's dark,dark: she has made the literature of nervous breakdown her own. We saw it in Slouching Towards Bethlehem: Essays (FSG Classics); Play It As It Lays: A Novel; and A Book of Common Prayer; as in "The White Album," the book at hand here; essays first collected and published in 1979. She eyes the 1960s, and California, quite closely; she sketches the 1960's so well, in fact, she might almost have imaginatively invented them. It's all here, the Manson family, the Black Panthers, the historic doings at the University of California, Berkeley.
She says"...there were odd things going on around town. There were rumors. There were stories. Everything was unmentionable, but nothing was unimaginable. This mystical flirtation with the idea of 'sin'-- this sense that it was possible to go 'too far,' and that many people were doing it-- was very much with us in Los Angeles in 1968 and 1969. A demented and seductive vortical tension was building in the community. The jitters were setting in. I recall a time when the dogs barked every night and the moon was always full. On August 9,1969, I was sitting in the shallow end of my sister-in-law's swimming pool in Beverly Hills when she received a telephone call from a friend who had just heard about the murders at Sharon Tate Polanski's house on Cielo Drive. The phone rang many times during the next hour. These early reports were garbled and contradictory. One caller would say hoods, the next would say chains. There were twenty dead, no, twelve, ten, eighteen. Black masses were imagined, and bad trips blamed. I remember all of the day's misinformation very clearly, and I also remember this, and wish I did not: I remember that no one was surprised."
She continues," Many people I know in Los Angeles believe that the Sixties ended abruptly on August 9, 1969, at the exact moment when word of the murders on Cielo Drive traveled like brushfire through the community, and in a sense this is true. The tension broke that day. The paranoia was fulfilled."
What an eye she has, what an ear, and what luck, too, right place at right time. And lucky us; she's given us so many reports from the front, wherever it may be, and of whatever it may consist. She continues to, still. I recently saw her speak at the Los Angeles Times Book Fair, on the UCLA campus, shortly after the death of her beloved husband, which she conveyed in such burning prose in The Year of Magical Thinking, her highly-recommended book on the subject. She was all there: her emotions, but also, her eye, and ear.
30 of 35 people found the following review helpful.
A great follow-up to her earlier work
By John Anderson
This book is definitely the "Part 2" of a series that begoins with Didion's "Slouching Towards Bethlehem" and each time that i return to it I feel like I am sitting down with a dear friend that I haven't talked to in a while. Other reviewers seem to have covered the title piece quite well, but I am intrigued that nobody seems to have mentioned my favorite -"Holy Water"- a fascinating look behind the scenes at the California Water Authority. I assign this essay again and again to my environmentalist students, both for the immediate content and for the intriguing window into the seductive nature of technology -one feels that Didion comes to be horrified and walks away enthralled. You will be too.
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